His famous book, Photography and the Art of Seeing, is a classic and a must read for any contemplative photographer. Although he doesn't call himself such, looking through his book last week on Monhegan brought so many connections that I felt like I was listening to an old friend. His master's thesis at Columbia in 1962 was Still Photography as a Medium of Religious Expression. This, surely, was a monograph for a contemplative in training.
I love the synchronicity of life. While I was writing this post yesterday as I waited for the ferry to take me back to the mainland, I saw Kim Manley Ort's post on texture and her reference to Freeman Patterson. You can read it here. I love the analogy of texture and community. I had never thought of it in that way before. It is so important to keep your mind open to new influence wherever you are. Revel in the surprising encounters. My week on Monhegan, in the company of other photographers, was both inspiring and enriching and I can't wait to wade through all the images I received there in the weeks ahead.
Seeing, in the finest and broadest sense, means using your senses, you intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.
- Freeman Patterson
I had the privilege of attending a celebration of Freeman Patterson's 75th birthday in Oakville, Ontario last fall. There I saw that there have been hundreds, possibly thousands, of people for whom Freeman Patterson is their photography mentor.
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